The 2013 Competition winning poem is

“The Antenna” by Mia Anderson

 
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Mia Anderson is a writer, a gardener, an Anglican priest, an erstwhile shepherd, long-time actress and a once-familiar voice in CBC radio dramas. Hers is the voice of Atwood’s The Journals of Suzanna Moodie recorded by the CBC. Born and raised in Toronto, where she graduated in English Language and Literature from the University of Toronto, Mia Anderson spent the next 25 years on the stage in the U.K. in London, Edinburgh, and Manchester, and across Canada (including 5 seasons at the Stratford Festival). A national tour of her one-woman show 10 Women, 2 Men and a Moose showcased then-contemporary Canadian writers. She has published four books of poetry: Appetite (Brick, 1988), Château Puits ’81 (Oolichan, 1992), Practising Death (St Thomas’ Poetry, 1997), and most recently The Sunrise Liturgy (Wipf & Stock, 2012). Her Long Poem “The Saugeen Sonata” (in Appetite) won the 1988 Malahat Long Poem Prize and “from The Shambles” won both the 1992 Malahat Long Poem Prize and the National Magazine Award’s Gold for poetry. She has written a short thesis on Margaret Avison: “‘Conversation with the Star Messenger’: An Enquiry into Margaret Avison’s Winter Sun” (Studies in Canadian Literature, 6:1, 1981). As an Anglican priest she served a parish in Québec City, whence she retired to the shores of the St Lawrence with her philosopher-husband Tom Settle.

“What I’m proud of, actually, is Montreal, and Québec my adoptive home, for having created this Prize.  As to winning it, that was a total unhoped-for-unthought-of. I was so glad just to make it into the Global Anthology! But it’s uncanny, the pleasure it gives that the judge seems to have ‘got’ what I was trying to toss aloft. I’m immensely grateful.” - Mia Anderson

Catch Anderson’s CBC Radio interview with Cinq à Six host Jeanette Kelly here.


The Antenna

For Mike Endicott

The antenna is a growth not always
functional in all people.

Some can hoist their antenna with
remarkable ease—like greased lightning.

In some it is broken, stuck there in its old winged
fin socket way down under the shiny surface

never to issue forth.
Others make do with a little mobility,

a little reception, a sudden spurt of music
and joy, an aberrant hope.

And some—the crazies,
the fools of God—drive around

or sit or even sleep
with this great thin-as-a-thread

home-cobbled monkey-wrenched filament
teetering above their heads

and picking up the great I AM like
some hacker getting Patmos on his toaster.

And some, with WD40 or Jig-a-loo
or repeated attempts to pry the thing up

or chisel at the socket
do not give up on this antenna

because they have heard of how it works
sometimes, how when the nights are clear

and the stars just so and the new moon has all but set,
the distant music of the spheres is transformative

and they believe in the transformation.
It is the antenna they have difficulty believing in.


Comments from Don Paterson, 2013 Prize Judge

 

“The Antenna” is that rare thing – a conceit which has the good taste not to outstay its welcome, but which also makes us think again about its subject in an entirely new way. This poem about our spiritual “receivership” is clever, musical, funny, and full of memorable lines; it manages – deliciously – to be simultaneously lyric and ironic in tone, and is full of delightful shifts of register. (To get from WD40 to the evening sky in a couple of lines without crunching the gears really is some feat.) It also has a nugget of real Jack Gilbert-ian wisdom at its heart – “wisdom” being something one often thinks one has found in a poem, but which usually turns out to be the fool’s gold of mere sentiment. We will, indeed, need more than a chisel and some elbow grease if we’re to pry out that damn thing – that long–unused, rusted head–ariel; however poems which broadcast as confidently as this one give me hope that it might really be down there.

2013 Competition Shortlist

 

Amber

by Alison Luterman

The Antenna

by Mia Anderson

Aubade

by Bryan Walpert

 

A Bad Rap For Thetis

by Gary Geddes

Bicycle Arpeggios

by Kim Trainor

A Bird and the River

by Jena Woodhouse

 

Blaze

by Rosanna Eva Licari

Breakup

by Kent Leatham

Carried Along on Great Wheels

by Alison Luterman

Cashmere

by Alison Luterman

 

Dante in Ravenna

by Lucy Beckett

Dog

by Robert Carter

Dorset

by Mark Kirkbride

Drum

by Preston Mark Stone

 

Earth Girls Are Easy

by Lisa Brockwell

Five Songs for Petra

by Danielle Boodoo-Fortuné

The Guard

by Stevie Howell

 

House

by Paul Hetherington

Kennethland

by B. R. Dionysius

Legacy

by Karen Warinsky

 

Medusa is Crying

by Ilya Tourtidis

Moon Jellyfish

by Sharon Black

Morely

by Andrew Fitzsimmons

My Head is Full of Pakistan

by Susan McMaster

 

Nights in the Gardens of Priapus

by Tracey O’Rourke

Note to Ex-Husband

by Elizabet Stevens

Pelicans

by Lisa Brockwell

Photographs of Jews

by Lisa Jacobson

 

Prayer Is Scrubbing

by Mia Anderson

The Problem with Love

by John Wall Barger

Rain 48

by Cróna Gallagher

The River of Forgetting

by Paul McMahon

 

The Screen

by D. Nurkse

Sealed

by Natalie Shapero

She Hasn’t Changed Places

by Catherine Stewart

Sing

by Susan Glickman

 

Supreme

by Frances P. Adler

Tennis Court Road

by Vincent Marksohn

 

To Feel

by Tim Bowling

Transit

by Danielle Cadena Deulen

Two Days in Spring

by Kim Trainor

The Uninvited

by Lee H. McCormack

 

Walking Without Feet

by Rosamund Taylor

Wedding Service

by Sally Moore

Yawn

by Sarah Rice

You’ll Never Know

by Simon Miller

 

2013 Prize Judge

 

Don Paterson was born in 1963 in Dundee, Scotland. He moved to London in 1984 to work as a jazz musician, and began writing poetry around the same time. His poetry has won a number of awards, including the Forward Prize for Best First Collection, the Whitbread Poetry Prize, the Geoffrey Faber Memorial Award, and the T. S. Eliot Prize on two occasions. Most recently, Rain won the 2009 Forward Prize. He is a Fellow of the Royal Society of Literature and a Fellow of the English Association; he received the OBE in 2008 and the Queen’s Gold Medal for Poetry in 2010. He teaches poetry at the University of St Andrews, and since 1996 has been poetry editor at Picador MacMillan. He continues to perform and compose.


2013 Editorial Board

 

Mary Dalton is the author of four books of poems, most recently Merrybegot and Red LedgerMerrybegot won the 2005 E.J. Pratt Poetry Award. Red Ledger, named one of The Globe and Mail’s Top 100 Books of the Year in 2006,  was shortlisted for the Atlantic Poetry Prize.  A collection of centos, Hooking, is being published by Vehicule Press in 2013. Dalton is Professor of English at Memorial University of  Newfoundland in St. John’s.

Keki N. Daruwalla has eleven volumes of poetry including Collected Poems (Penguin 2006) and Selected Poems (ARC Publications Todmorden (U.K.)). Landscapes won the 1987 Commonwealth Poetry Prize (Asia). The Keeper of the Dead won the 1984 Sahitya Academy (National Academy of Letters) Award. He has three collections of short stories and his novel For Pepper and Christ (Penguin) was shortlisted for the Commonwealth Fiction Prize in 2010.  He served as a Special Assistant to the Prime Minister of India in 1979.

Kwame Dawes is the author of over thirty-five books, including sixteen books of poetry, the most recent being, Wheels (Peepal Tree Press 2011).  He is Glenna Luschei Editor of Prairie Schooner and Chancellor’s Professor of English at the University of Nebraska-Lincoln, and a faculty member of the Pacific MFA program in Oregon. His awards include the Forward Poetry Prize, an Emmy, the Barnes and Nobles Writers for Writers Award, a Pushcart Prize, and a Guggenheim Fellowship. His collection Duppy Conqueror, New and Selected Poems will be published by Copper Canyon in 2013.

Kendel Hippolyte is a Saint Lucian poet, playwright and director and a recently retired lecturer in Literature and Theatre. His poetry has been published in journals and anthologies internationally as well as in six volumes published between 1980 and 2012. He has performed his work in the Caribbean, Europe and America at various literary festivals and book fairs. He has edited anthologies of poetry and also been a judge in literary competitions, most recently the Bocas Festival.

Medbh McGuckian was born in Belfast, Ireland and studied with Seamus Heaney at Queen’s University. Her poem “The Flitting” won the 1979 National Poetry Competition. In 1980 McGuckian won the prestigious Eric Gregory Award. Her first collection The Flower Master (1982) won the Poetry Society’s Alice Hunt Bartlett Prize, the Rooney Prize for Irish Literature, and an award from the Ireland Arts Council. On Ballycastle Beach (1988) won the Cheltenham Award. Her honors also include the Bass Ireland Award for Literature, the Denis Devlin Award, and the American Ireland Fund’s Literary Award. She won the Forward Prize for Best Poem for “She Is in the Past, She Has This Grace.”

Sean O’Brien is a UK poet, critic, broadcaster, anthologist and editor. He is Professor of Creative Writing at Newcastle University and Fellow of the Royal Society of Literature. His first six individual poetry collections have all been given awards and the seventh, November, was shortlisted for the 2011 T S Eliot Prize, the Forward Prize, the Costa Poetry Award and the 2012 International Griffin Poetry Prize. His Collected Poems was published in 2012.

Due to unavoidable circumstances, Niyi Osundare is not in a position to fulfill his role as editor this year, but he hopes to participate in the next competition. Taking his place is Michael Harris.

Michael Harris was born in Glasgow, Scotland and grew up in Montreal. Harris has written seven books of poetry, won several prizes, and has been published in leading journals in North America and Europe. He has given over 200 readings throughout Canada and around the world and has translated the complete poetry of Marie-Claire Blais. Harris is also the founding editor of Véhicule Press’s Signal Editions. He has edited over fifty books of poetry by over thirty-five authors. In 1994, he edited The Signal Anthology: Contemporary Canadian Poetry. His most recent book, Circus (2010) was shortlisted for the Governor General’s Award.

Robyn Sarah is the author of nine poetry collections, as well as two collections of short stories and a book of essays on poetry. Her poems have been anthologized in Canada, the United States, and the UK, and have been broadcast on Garrison Keillor’s The Writer’s Almanac and included in his anthology Good Poems for Hard Times. Currently poetry editor for Cormorant Books, she lives in Montreal.

Nicolette Stasko was born in the US of Polish and Hungarian heritage but has lived in Australia since 1979. Her work is widely anthologised and she is well known as an essayist and critic. She is a recipient of the Anne Elder Award for best first collection and has been short-listed for the National Book Awards and the NSW Premier’s Prize. Nicolette has published six volumes of poetry including Glass Cathedrals: New and Selected Poems and most recently a chapbook under rats. She is also the author of the best-selling non-fiction Oyster and a fiction The Invention of Everyday Life. Nicolette is an Honorary Associate at Sydney University where she completed her PhD in English and lectured part-time. She currently lives in Sydney.

Chase Twichell is the winner of the prestigious Kingsley and Kate Tufts Poetry Award (2011) and the Alice Fay Di Castagnola Award (1997). She has received numerous fellowships for her seven books of poetry. She is also the translator, with Tony K. Stewart, of The Lover of God by Rabindranath Tagore, and co-editor of The Practice of Poetry: Writing Exercises from Poets Who Teach.