The 2011 Competition winning poem is
“Walking Underwater” by Mark Tredinnick
Mark Tredinnick is an award-winning Australian poet, is the author of Fire Diary, The Blue Plateau, The Little Red Writing Book, and eight other works of poetry and prose. Mark lives, writes and teaches along the Wingecarribee River, southwest of Sydney. The Lyrebird (2011) is his most recent book of poems, and a new collection (Body Copy) will appear in 2012.
When asked to say a few words about the Montreal Prize, Mark responded: “This prize celebrates the making of poetry everywhere, in particular all of the shortlisted poems. To win it feels completely improbable. It’s a huge delight and an honour I’ll try to keep living up to in my writing.”
Photo credit: Vicki Frerer
Walking Underwater
For Kim Stafford
There is this quietness that hangs over North America.
As if all the days were double-glazed against themselves.
It’s uncanny. Tectonic. A kind of grief, a kind of pain
In waiting. Some sort of business unfinished. I feel it here
In the northwest, especially, though it stalked me in Toronto:
A slender quality of northern light, I guess, my southern
Self’s unused to, transposed into a season of suppressed sound,
A penumbra of silence cast by too much history, too much
Ecstatic landscape, too many plot points resolved at gunpoint,
And it feels like my life’s been lost here from the start.
I’m sorry: I’m talking out of my mood, which is jet-lagged
And dreaming heavily of what it used to think I loved.
There are plates subducting other plates on the mantle
Of my mind; there is disquiet and illness of ease. But look,
Out your windows the prayer flags have stopped
Praying, and moss deckles the edges of the oaks and firs,
Which hold out stoically inside the sweetest excuse for day-
Light I’ve ever seen. Come out with me, you say; let’s wander
Up the river. Let’s see what N’chi wana has to say about
The light… Which turns out to be a lot, and most of it profane—
The cock and the cunt, for instance, Neruda’s entanglement
Of genitals, right there, gargantuan in basalt, and wrapped in Douglas
Fir on the south bank—and glorious. The robins along the Eagle
Creek drainage seemed convinced it was spring, but the cloud
That streamed downriver on the back of the teal-blue water
And the rising wind and the narrow road coming unstuck beneath
Our feet, were all busy putting winter back in place. And for two
Hours you schooled me in the art of walking underwater; for two
Hours we carried a bright conversation all the way to the falls
And back again in rain that fell like disappointment on my head.
If you’re going to call a mountain range The Cascades, this is
What you’re going to get—their very name on the map
A long walk in the rain. But it was worth it; it nearly always is:
The afternoon crying out the grief the continent had spent
All morning—all last century, so far as I can tell—trying not to
Confess. The watershed was a Japanese watercolour at risk
Of running off the canvas, the big water carrying its muted palette
Down to the sea and taking a good part of me with it. The gorge,
It turns out, is a green sermon left largely unsaid, and as we drove
Out of it, evening lay on the river like half the psalms I never knew.
Note: The Columbia River is known by many names to the people who live along it. To the Chinook of its lower reaches, it is known as “Wimahi”; the Kwak’wala-speaking peoples of the river’s middle reaches call the river “Nch’i-Wana”. Both “Wimahi” and “Nch’i-Wana” mean “the big water” or “the big river”.
Comments from Andrew Motion, 2011 Prize Judge
The winning poem was selected by former UK poet laureate Andrew Motion from a shortlist of nearly 50 poems. “This is a bold, big-thinking poem, in which ancient themes (especially the theme of our human relationship with landscape) are re-cast and re-kindled. It well deserves its eminence as a prize winner,” said Motion.
2011 Competition Shortlist
After Cancer
by Leslie Timmins
Aluminum Beds
by Russell Thornton
Among Schoolchildren
by Spencer Reece
At Swim Three Words
by Gary Geddes
Atocha 2004
by David Bunn
Breakfast at the Friar Arms
by Peter Richardson
Children’s Stories
by Philip Nugent
The Contortionist Speaks of Dislocation
by Rachel Lindley
Delenda est Carthago
by Ron Pretty
The Earth Moves and Bright
by Linda Rogers
Earthquake Light
by Robert Wrigley
An Embarrassment of Riches
by Phillip Crymble
Four Trees
by Donald Givans
The Garbage Truck Trashed the Sunflower
by Jeff Steudel
The Grasshoppers’ Silence
by Linda Rogers
The Infinite Library
by Jillian Pattinson
The Kingfisher
by Mark Treddinick
Late Breaking News
by Gary Geddes
Leaving the Island
by Talya Rubin
Leopold
by David Mortimer
Lise Meitner Leaves Berlin
by Victor Tapner
Morel-Floored Forest
by Carolyn Hoople Creed
Mosaic
by Polyxeni Angelis
The Need for These Things to Be Said
by Margaret McCarthy
Night Thoughts from Somewhere Past High Noon
by Iain Higgins
The Old Man and the Beanstalk
by Alina Wilson
Old Men on a Bench
by Adil Jussawalla
On Finding a Copy of “Pigeon” in the Hospital Bookstore
by Susan Glickman
Paradiso
by Maria Borys
The Pardon
by Ellen Wehle
The Silence
by C.K. Stead
Spring in Cow Bay, Nova Scotia
by Barbara Myers
The Stiltwalkers
by John Wall Barger
Sun Flower Sutra
by Stuart Jay Silverman
Tamarind Tree
by Patricia Young
Themba Is Dead
by Emeka Okereke
There You Are
by Mitchell Albert
They Disappeared in the Night
by Rafi Aaron
Three Monkeys on a Dusty Bureau
by Shelagh McNally
Tsunami
by Bronwyn Lovell
Unlimited
by Suparna Ghosh
Walking Underwater
by Mark Tredinnick
Waterfall
by Edith Speers
What Gathers
by Heid E. Erdrich
When the Muses can’t be bothered
by Barbara Hobbie
The White Bicycle
by Paula Bohince
Yiu Ming Cheung
by Ashley Chow
2011 Prize Judge
Andrew Motion was Poet Laureate of the United Kingdom from 1999 until 2009. From 1976 to 1980 he taught English at the University of Hull; from 1980 to 1982 he edited the Poetry Review and from 1982 to 1989 he was Editorial Director and Poetry Editor at Chatto & Windus. He is now Professor of Creative Writing at Royal Holloway, University of London. He is a Fellow of the Royal Society of Literature and lives in London. He was knighted for his services to literature in 2009. His new collection of poems is The Cinder Path (Faber) and Ways of Life: Places, Painters and Poets (Faber) is his latest collection of essays.
2011 Editorial Board
Valerie Bloom was born and grew up in Jamaica, but now lives in England. She is the author of several volumes of poetry for adults and children, picture books, pre-teen and teenage novels and stories for children, and has edited a number of collections of poetry for children. She has presented poetry programmes for the BBC, and has contributed to various radio and television programmes. Valerie Bloom has been awarded an Honorary Masters Degree from the University of Kent, and recently an MBE for services to poetry. She performs her poetry, runs writing workshops and conducts training courses for teachers worldwide.
Stephanie Bolster is a Canadian poet whose first book, White Stone: The Alice Poems, won the Governor General’s Award and the Gerald Lampert Award in 1998. She has published two other poetry collections, Two Bowls of Milk, which won the Archibald Lampman Award, and Pavilion, and her work has been translated into French (Pierre Blanche: poèmes d’Alice), Spanish, and German. She edited The Ishtar Gate: Last and Selected Poems by the late Ottawa poet Diana Brebner, and The Best Canadian Poetry in English 2008, and co-edited Penned: Zoo Poems. Raised in Burnaby, B.C., she has taught creative writing at Concordia University since 2000 and lives in Pointe-Claire, Québec.
Frank M. Chipasula is a Malawian poet, editor, fiction writer and publisher of Brown Turtle Press. Currently Professor of African Studies, he has held the first Judge William Holmes Cook Professorship in the department at Southern Illinois University in Carbondale, and taught at Howard University, Tamkang University in Tamsui, Taiwan, University of Nebraska at Omaha, St. Olaf College in Northfield, Minnesota, Brown and Yale Universities. He was the English Editor for NECZAM Ltd., the former national publishers of Zambia in Lusaka and, as an undergraduate student at the University of Malawi, he freelanced on the M.B.C. (Malawi Broadcasting Corporation) in Blantyre, Malawi. Chipasula’s Visions and Reflections (1972) was followed by O Earth, Wait for Me(1984), Nightwatcher, Nightsong (1986) and Whispers in the Wings: New and Selected Poems (1991). He is currently working on The Burning Rose: New and (Re)Selected Poems. He has also edited When My Brothers Come Home: Poems from Central and Southern Africa (Wesleyan University Press, 1985), (with Stella) The Heinemann Book of African Women’s Poetry (Heinemann 1995) and Bending the Bow: An Anthology of African Love Poetry (2009). His poems have appeared in numerous literary journals, newspapers and anthologies in English, French, Spanish and Chinese.
Fred D’Aguiar is a poet, novelist, playwright and essayist born in London of Guyanese parents and brought up in Guyana. He returned to London for his secondary and tertiary education. His ten books of poetry and fiction were translated into a dozen languages. Currently, he teaches at Virginia Tech where he is Gloria D. Smith Professor of Africana Studies and Professor of English. For more see, freddaguiar.com
Michael Harris was born in Glasgow, Scotland and grew up in Montreal. Harris has written seven books of poetry, won several prizes, and has been published in leading journals in North America and Europe. He has given over 200 readings throughout Canada and around the world and has translated the complete poetry of Marie-Claire Blais. Harris is also the founding editor of Véhicule Press’s Signal Editions. He has edited over fifty books of poetry by over thirty-five authors. In 1994, he edited The Signal Anthology: Contemporary Canadian Poetry. His most recent book, Circus (2010) was shortlisted for the Governor General’s Award.
John Kinsella was born in Perth, Australia. His most recent books include Divine Comedy: Journeys Through a Regional Geography (WW Norton, 2008), Activist Poetics: Anarchy in the Avon Valley (ed. Niall Lucy; Liverpool University Press/Chicago University Press, 2010), and Sand (with Robert Drewe; Fremantle Press, 2010). HisPeripheral Light: Selected and New Poems (selected and introduced by Harold Bloom) was published in 2004 (WW Norton). He is a Professorial Research Fellow at the University of Western Australia and a Fellow of Churchill College, Cambridge University. He is the editor of The Penguin Anthology of Australian Poetry (Penguin, 2009).
Sinéad Morrissey was born in 1972 and grew up in Belfast. She has published four collections of poetry: There was Fire in Vancouver (1996); Between Here and There(2002); The State of the Prisons (2005), and Through the Square Window (2009), all with Carcanet Press. Her awards include The Patrick Kavanagh Award, an Eric Gregory Award, the Rupert and Eithne Strong Award, and the Michael Hartnett Poetry Prize. Her last three collections have all been shortlisted for the T. S. Eliot Prize. In 2007 she received a Lannan Literary Fellowship from the U.S.A. Her poem “Through the Square Window” took first place in the UK National Poetry Competition the same year. The collection Through the Square Window was awarded the Irish Times/Poetry Now Award in 2010 and was also shortlisted for the Forward Prize for Best Collection. She is currently Lecturer in Creative Writing at The Seamus Heaney Centre for Poetry, Queen’s University, Belfast.
Odia Ofeimun is a Nigerian poet and political journalist. Ofeimun is a former president of the Association of Nigerian Authors (ANA), and former lead columnist for TheNEWS/TEMPO publications. His works-in-progress include the poetry anthologyTwentieth Century Nigerian Poetry, two essay collections and a long-awaited political biography of Obafemi Awolowo. Since Nigeria’s return to civil rule, Ofeimun has become a highly-respected and much-sought-after opinion leader and public speaker, giving speeches to NGOs and other civil society outfits. He is a leading champion of human rights and anti-corruption crusades in Nigeria, and he remains steadfastly independent of political organizations in the country. Ofeimun’s poems have been anthologised in Okike(ed. Chinua Achebe), Poems of Black Africa (ed. Wole Soyinka, 1975), Festac Anthology of Nigerian New Writing (ed. Cyprian Ekwensi, 1977), Poetry for Africa (ed. Gerald Moore and Ulli Beier, 1985), and Heinemann Book of African Poetry in English (ed. Adewale Maja-Pearce, 1990). His poetry collections include The Poet Lied(1980), and A Handle for the Flutist (1986). His poems for dance-drama, Under African Skies and Siye Goli (A Feast of Return, 1992) were commissioned and performed across Britain and Western Europe by Adzido, the London-based Pan-African Dance Ensemble. A Feast, staged by Hornbill House is currently on tour in Nigeria’s capital cities.
Eric Ormsby has published six poetry collections. His poems have appeared in such magazines as The New Yorker, The Paris Review, and PN Review, and are included inThe Norton Anthology of Poetry. An essayist and reviewer, he has also published two collections of essays on poetry and translation. He received a doctorate in Near Eastern Studies from Princeton University; he taught Islamic thought for twenty years at McGill University before moving to London in 2005. He has written extensively on Classical Arabic literature and Islamic thought and has translated works of medieval Islamic philosophy from both Arabic and Persian.
Anand Thakore is a Hindustani classical vocalist by training and vocation. Born in Mumbai in 1971, he was raised there and in the U.K. He was educated at Solihull Public School and The Cathedral & John Connon School, Mumbai. He earned a BA in English and Sanskrit Literature at Elphinstone College, Mumbai and an MA in English Literature at the University of Pune. Thakore’s poems and critical essays on poetry and music have appeared in various national and international journals and anthologies. His first collection of verse, Waking in December, was published by Harbour Line, a writers’ collective which he co-founded and runs. He is the founder of ‘Kshitij’, a group of Hindustani musicians devoted to the traditional ‘mehfil’, and the sustenance of an atmosphere conducive to live improvisation and interaction between practicing musicians, connoisseurs and the general audience. He lives in Mumbai where he teaches music privately and gives frequent public performances of his music and poetry.