The 2015 Competition winning poem is

“38 Michigans” by Eva H.D.

 
Eva-H.D.png

Eva bartends on Queen West in Toronto and just this spring published a book of poetry with Mansfield Press called Rotten Perfect Mouth. Sometimes she gets to run off and cook on tallships or canoe in Temagami. She has also worked as a translator for Legal Aid, a nanny, a woefully subpar drywaller, a bicycle messenger and a cardboard-folder on an assembly line. She sometimes tells people that Keith Richards is her boyfriend, and they believe her, because they have never heard of the Rolling Stones. Some people have called her a tough read. Other people have called her a tarantula. In her spare time she transcribes the fictional conversations of pigeons and crabs and makes unsolicited translations of popular song lyrics. She will send haikus to your home by postcard. She often gets asked for directions, and would like to buy you a beer.

Some people have called her a tough read. Other people have called her a tarantula. In her spare time she transcribes the fictional conversations of pigeons and crabs and makes unsolicited translations of popular song lyrics.


38 Michigans

You are thirty-eight Michigans away from me,
thirty-eight wolverine states into your cups
in the sky, because being dead is like being
profoundly tanked, profound as an empty silo,
with your thoughts and your arms and your
credit cards ignoring you, just eyes, eyes, and behind
those eyes nothing, or the sky, or the smell of manure,
or thirty-eight Michigans of black, bloated ice.

One Michigan is bigger by far than a football field,
and two or ten is one of those I’m a man who needs
no woman type of motorcycle trips and fifteen is all the
old routes of tea or silk or spice or Trans-Siberian
misery rolled; but thirty-eight is the size of the space where Oh,
I need to call you, though laying hands upon
the phone I am repelled by a forcefield of practicality,
grasping at the incongruities of the calendar year and my
desire and your non-existence. Thirty-eight Michigans away
you are no doubt somewhere or other, balking at being,
polishing off a sandwich made of rare, impossible air.
You are as likely as the apocalypse. I can almost hear
you on my radio, the cracks in your voice of clay.

I summon up photos of our planet as seen from
invented places like e.g. the moon and it looks
like a Rubik’s cube. Peel off the stickers and
solve the black plastic beneath. Solve this blank
sheet of aluminium. Solve this anteater.

Yes, I recommend walking in the rain,
sluicing in the lake, howling at the shadow
of the moon behind the moon. Say Go long
before you throw long. Say Heads. Give the
dead more than their due. Yes, I recommend
cutting and running. Can you hear me, thirty-eight
Michigans down the line? Go long.


Comments from Eavan Boland, 2015 Prize Judge

 

This poem—“38 Michigans”—is a quirky, intense elegy. It works so well, I think, because it makes fresh again an old and powerful basis of lament: one in which all the contours of ordinary reference and experience are forced into a new shape. Where any logic of place or geography becomes the willing servant of memory and longing.

We never get to feel here that the person missed or lost is also being objectified into silence or passivity—a big risk in the contemporary elegy. Instead the subject of the poem is defined, right from the start, in original, offbeat, surprising ways so that we stay connected to them and to the emotional colour of the poem. They are “thirty-eight Michigans away.” Or they are “polishing off a sandwich made of rare, impossible air.”

There is a fine line being managed here between the sugar of whimsical language and the shadow of an actual loss. But the management is always adroit and convincing. The poem benefits from the tension. The whimsy itself suggests that grief has found a voice and is making its own reality with a devil-take-the-hindmost defiance.

2015 Competition Shortlist

 

Parade

by Mark Abley

Dotage

by Kathleen Balma

The Cadaver

by Joshua Bartolome

 

Into This World

by Mary O’Keefe Brady

Elena!

by Kevin Brophy

Elantxobe

by David Bunn

Story of a Leaf

by Sarah Burgoyne

 

Personal Creed

by Jabez Churchill

A Good Day’s Work?

by Phil Davey

There Are No More Horses

by Johanna Emeney

 

Escape to Grosse Isle

by Ann Giard-Chase

Stillborn

by Vicki Goodfellow Duke

38 Michigans

by Eva H.D.

Weather

by Luke Hankins

 

The Lost School of Botany

by Michael Henry

Wound Care Ghazal

by Amber Homeniuk

M1

by Cynthia Hughes

A Summer Killing

by Lisa Jacobson

 

Gambling Everything

by Jayne Jenner

Letter to My Dead Mother

by Dorianne Laux

Rule of Threes

by Sandra Lloyd

 

Robert Pinsky

by Sneha Madhavan-Reese

Thoppil Bhasi

by Sneha Madhavan-Reese

By the Shore

by Rose Maloukis

 

Heirloom Tomatoes

by Bruce Meyer

Sunday Drives

by Bruce Meyer

Histories

by Jordan Mounteer

Shard

by Peter Norman

 

What the Sea Remembers

by Felicity Plunkett

The Poetry of Money

by Rob Pretty

Half

by Michael Prior

Dream Research

by Susan Lynn Reynolds

 

Meteor Shower

by Amali Rodrigo

Funeral Home

by Richard Sanger

My Hand and Cold

by Natalie Shapero

 

Thomas, Not Saying

by Pete Smith

Passage Grave

by Rosamund Taylor

Africa Today

by Joseph Ushie

Slant of the Girl

by Jessica Van de Kemp

 

Hunger

by Gillian Wallace

Shapes & Sizes

by Stephanie Warner

Firebird

by Jessica L. Wilkinson

Siege

by Shoshanna Wingate

 

Evening Stroll by the Canal

by Jena Woodhouse

Reindeer Herders

by Anjali Yardi

 

2015 Prize Judge

 

Eavan Boland (1944–2020) was born in Dublin and studied in Ireland, London and New York. Her first chapbook, 23 Poems, was published in 1962. She taught at Trinity College, University College and Bowdoin College Dublin, and at the University of Iowa. Later she was Melvin and Bill Lane Professor in the Humanities at Stanford University, California. Her works include The Journey and other poems (1987), Night Feed (1994), The Lost Land (1998) and Code (2001).


2015 Editorial Board

 

Gabeba Baderoon is a poet and scholar and the author of the poetry collections, The Dream in the Next Body and A Hundred Silences, and the monograph Regarding Muslims: from slavery to post-apartheid. Her short story “The Year of Sleeping Badly” was selected as one of the “Best Short Stories of South Africa’s Democracy” in 2014. Baderoon has also received the DaimlerChrysler Award for South African Poetry and held the Guest Writer Fellowship from the Nordic Africa Institute. She is on the editorial board of the African Poetry Book Fund, and teaches Women’s Studies and African Studies at Pennsylvania State University.

Kate Clanchy’s three collections SlatternSamarkand, and Newborn, have recently been gathered into a Selected Poems, published by Picador. In addition to Forward, Saltire and Somerset Maugham Prizes for her Poetry, she has won the Writer’s Guild Award, The VS Prichett Prize, and the BBC National Short Story Award for her prose. Her novel, Meeting the English, was shortlisted for the Costa Prize in 2013, and a collection of short stories, The Not-Dead and the Saved, will be published in 2015.

Carolyn Forché is a poet, translator and essayist, and editor of two best-selling poetry anthologies, Against Forgetting and Poetry of Witness: The Tradition in English: 1500-2001 (co-edited with Duncan Wu)Her poetry books include Gathering the Tribes, The Country Between Us, The Angel of History and Blue Hour. Her honors include the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm, and The Academy of American Poets Fellowship in Poetry for 2014. She has taught writing and literature for forty years, and has given poetry readings around the world. Her work has been translated into more than twenty languages. She is a Professor of English at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Amanda Jernigan is the author of two books of poetry, Groundwork (2011) and All the Daylight Hours (2013). The first was shortlisted for the League of Canadian Poets’ Pat Lowther Award and included in the National Public Radio’s list of best books of the year; the second was named a best book of the year in the National Post. She has published in the States in Poetry magazine, in England’s PN Review, and in numerous Canadian literary journals. She is the editor of The Essential Richard Outram (2011) and author of a monograph on the poetry of Peter Sanger.

Anthony Lawrence has published fourteen books of poems, the most recent being Signal Flare (Puncher & Wattmann, 2013). His books and individual poems have won many awards, including the New South Wales Premier’s Award, the Queensland Premier’s Award, the Josephine Ulrick Poetry Prize and the Blake Poetry Prize. He teaches Creative Writing and Writing Poetry at Griffith University on the Gold Coast, Queensland, and lives on the far north coast of New South Wales.

Niyi Osundare is a Nigerian poet, playwright, essayist and scholar. He has authored 18 books of poetry and two books of selected poems. Among his many prizes are the Association of Nigerian Authors (ANA) Poetry Prize, the Cadbury/ANA Poetry Prize, the Commonwealth Poetry Prize, the Noma Award (Africa’s most prestigious Book Award), the Tchicaya U Tam’si Award for African Poetry (generally regarded as Africa’s highest poetry prize), and the Fonlon/Nichols Award for “excellence in literary creativity combined with significant contributions to Human Rights in Africa.” He is currently Distinguished Professor of English at the University of New Orleans.

Jennifer Rahim is Trinidadian. She is a Senior Lecturer in Literature in the Department of Literary, Cultural and Communication Studies at The University of the West Indies, St. Augustine. Her essays on Caribbean literature have appeared in MaComereThe Journal of West Indian Literature, Small AxeAnthuriumTOUT MOUN and BIM. She edited, with Barbara Lalla, Beyond Borders: Cross Culturalism and the Caribbean Canon (UWI Press 2009) and Created in the West Indies: Caribbean Perspectives on V.S. Naipaul (Ian Randle, 2010). Her poetry collections include: Between the Fence and the Forest (Peepal Tree Press, 2002), Approaching Sabbaths (Peepal Tree Press, 2009), Redemption Rain (TSAR, 2011) and Ground Level (Peepal Tree Press, 2014). She has one collection of short stories, Songster and Other Stories (Peepal Tree Press, 2007). Approaching Sabbaths was awarded a Casa de las Américas Prize in 2010.

K. Satchidanandan is perhaps the most translated of contemporary Indian poets, having 23 collections of translation in 19 languages. His book While I Write: New and Selected Poems (Harper-Collins) came out in 2011 and Misplaced Things and Other Poems (Sahitya Akademi) in 2014. Satchidanandan writes poetry in Malayalam, and prose in both Malayalam and English and has more than 20 collections of poetry besides several books of travel, plays and criticism including five books in English on Indian literature. He is a Fellow of the Kerala Sahitya Akademi and has won 31 literary awards. Satchidanandan has a Knighthood of the Order of Merit from the Government of Italy and an India-Poland Friendship Medal from the Government of Poland. He has also been twice in the list of the Nobel Prize probables.

Michael Schmidt is a poet, literary historian and teacher. Lives of the Poets (1999), The First Poets (2004) and The Novel: A Biography (2014) are his main critical works. Collected Poems and The Stories of my Life bring together his poems. Born in Mexico and educated in the United States and England, he runs Carcanet Press and edits PN Review. He has taught in Manchester and Glasgow and is currently writer in residence at St John’s College, Cambridge.

Bruce Taylor is a two-time winner of the A.M. Klein Award for Poetry. He has published four collections of poetry: Getting On with the Era (1987), Cold Rubber Feet (1989), Facts (1998) and No End in Strangeness (2011).  His other interests include lutherie, boatbuilding, and the taxonomy of ciliated protozoa. He lives in Wakefield, Quebec.