Ode to My Period

by Kate Rogers


In Cantonese women tell each other
“Yi ma lai doh”: My great aunt has come to visit.

My “great aunt” rarely visits

now but she found me in Sichuan

half way up the slope of Er Mei Shan.[i]

I was on the way to the peak

with four other women when great aunt beckoned

the monkey to leap from his leaf nest

in the mountain camphor tree onto

my pack full of apples. The monkey bared his fangs

when we shouted and waved our arms.

He lifted the pack flap and reached in for two pieces of

fruit. Then later, the raven that sauntered into

the women’s toilet in the monastery garden

didn’t fly away when I squatted over the stone hole,

plucked my used pad from the bin. He ambled

outside, scattered scarlet petals

of its blown blossom on the breeze.

Great aunt has retired since that climb,

but sends notes in the beak of

a dark bird. The stain of her sunset returns

after an afternoon of love.

[i] Buddhist holy mountain in Sichuan province.

 

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Kate Rogers’ poetry collection Out of Place debuted in Toronto July 2017. Her poetry is forthcoming in the anthologies, Catherines the Great (Oolichan), and Twin Cities Cinema (Hong Kong-Singapore) and has appeared in The Gaurdian, Eastlit, Asia Literary Review, Cha: An Asian Literary Journal, Morel, The Goose: A Journal of Arts, Environment and Culture (Wilfred Laurier University), Kyoto Journal, ASIATIC: the Journal of the International Islamic University of Malaysia and Contemporary Verse II.

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