Having Lived in the Light of the Black Sun
by Shazia Hafiz Ramji
I can say
my home was sopping and mapless
in magnolias, our fluted mouths folded against
the cold light. This story is no longer
available, says the app upon my lurking.
Minor prophets shimmer and ache
in the endless frequency of simulacra. Here I am
trying my hand again at artifice. I hope
you can see this flamingo of self-reflexivity
stepping off the hospital bed and the methadone
to move windward into what we call the future
with its publication schedules and sensitivity
readers working more than a year ahead. I have already
been dead in some ways, you could say. But
the mistake I have made is to consider this living
in waiting. Yearning to reach the finish line
of my family tree that disappears somewhere around
1750 when we learned then how to glimpse
our world now, through cameras and telescopes.
The spectacular craft of my father gave me a periscope
from milk cartons. I learned to live underground,
my mirrors stinking of milk, peeking through the carpet
thick with bougainvillea and chicken feathers and plastic packets
of alcohol flipped in the gardens by my grandfather.
They say the mark of melancholy is the loss of language. I remember
his muteness and mine that followed, chosen through no will
of our own but ours nonetheless, a will like a bulbous roach
scuttling under the gate that led to the prayer hall
a holy will, like all the women. Their desertion
and defiance, the sun always stippling across
hijab and sari as if magic were a currency that asks
the gulls to stitch their calls
into the shore for us so that time peels itself
from the dark columns in the cities and
appears to us in the pink fingers of magnolias
punctuating the supplicant air.
“Read,” the voices say. This poem cannot end
but we will, someday
knowing full well that we have been called
autistic and druggie and shy and mad
and we will know to wait for the promiscuous rain falling,
touching everything.